More writing on New Orleans

For more of my articles on New Orleans a year on from Katrina, follow the links below:
Spiked Magazine - "Nothing's simple in the Big Easy"
The Guardian - "There's no place like home"
Hackwriters - "One year on"
On August 29, 2005 Hurricane Katrina hit New Orleans. Over 1,500 people were killed. One year on, amid fierce fighting over the city's regeneration, widespread disillusionment with the state and federal authorities and with hundreds of thousands of residents still displaced, New Orleans is gearing up to commemorate the storm.




The project relies on volunteer labour and the plight of New Orleans has attracted a vast cross-section of American society to the site. “You’re meeting all sorts of people from the United States working here, from all walks of life,” one woman told me. She and her friend had driven from Colorado after being sponsored by friends and family; working with her were two Californian students, an insurance agent from New Jersey who was in Louisiana for a conference and the former publisher of Esquire Magazine. People sign up for as long as they can spare, creating an interesting (and often troublesome) mix of old-timers and those, like the insurance agent, who were doing a single morning shift then heading home. But, almost without exception, they were touchingly vivacious whilst throwing themselves into their tasks; clearly there is something pretty powerful about raising a house quite literally from scratch.
There is some legitimate concern about the way in which voluntary work here can be a convenient way of assuaging guilt; the motivation and practical contribution of technically-challenged accountants and corporate directors who come for a few hours then disappear was questioned by many people I spoke to, and the appearance earlier this year of Nagin, Bush and Blanco donning tool belts at the village in front of the cameras was stomach-churningly hypocritical. But that doesn't take anything away from those who are genuinely putting their all into bringing these houses to life.
The idea behind the village is that the future owners of the new homes have to put in a minimum of 350 hours of ‘sweat equity’ into the project – in other words they have to contribute their own labour to the residences they will eventually move into. Then they get a low-interest mortgage with which to buy the house (the cost of which is a heavily-subsidised $70,000). The principle is that by allowing people to work on their own homes and the immediate community in which they are situated, the new owners will feel they have a real stake in the neighbourhood, generating the kind of civic pride which in many ways was lacking in the pre-Katrina 9th ward. So many people felt excluded and abandoned by the government and society that crime and unemployment were the inevitable byproducts; this way residents will hopefully be better motivated to respect and nurture their community. It’s a scheme for those seeking to become homeowners – the mortgage is too expensive for the very poor – but as a model it could be a long-term solution to the problem of the public housing projects.
At 4007 N Roman St, Linda Nunnery was running her fingers approvingly along the newly-painted porch whilst volunteers finished off the pathway down below. The 51 year old mother of two has been living in a trailer since Katrina flooded her home in Gentilly. She is still shaken by the memories of being trapped in the Convention Center for four days after the hurricane, watching the world around her descend into anarchy. Now though, her job has restarted (she was a patient escort worker at the now defunct Charity Hospital, but the University Hospital needs her services) and she is getting a new home. “Oh good, it feels so good,” she grins. “I got to build my own house, choose what’s going in where, it feels like home. And it makes you feel proud, knowing I built that.” Linda put in 440 hours of sweat equity and will move in later this month – one of the first occupants of Musicians’ Village. “You learn so much. You’re building a house from the ground up, putting in the foundation, then the wiring, and you really find out how a house is built.” The gaudy purple exterior wouldn’t have been my choice, but the fact it was Linda’s means a lot to her. “I picked that colour myself,” gazing above the doorway. “And that’s important.”
It’s not a magic wand, but the idea of getting those that can’t put up a lot of money to put in their labour instead could play an important role in post-Katrina regeneration, doing what mixed-income developments have failed to do, and help preserve a real sense of community in the rebuilt Big Easy.



Photos (from the top): Children from other states welcome the residents of Musicians' Village; some of the newly-built houses; a bumch of volunteers pose for the camera; Linda Nunnery's new home; she poses in her new kitchen


When the levees broke, New Orleans filled up like a bowl. After the toxic soup of oil, chemicals and sewage eventually drained away and the extent of Katrina’s damage became clear, a debate immediately started about what should be preserved and what should be surrendered to the bulldozers. It’s a debate which is still being played out today.
When talking to New Orleanians, what always strikes me is how devoted they are to this city and enthused by its culture. Every town generates some feelings of loyalty within its populace but here it’s a passionate, almost irrationally charged attachment. And it helps explain why so many are willing to risk everything financially and psychologically and come back to the devastation.
When it comes to planning the future of the area, the challenge is to preserve that spirit; retaining the unique nature of New Orleans (the clash of Creole, French, Spanish, African and American culture here is electrifying – and almost impossible to find elsewhere in the States) is the key to getting its people back home. Today I had two interesting conversations with people seeking, in different ways, to do exactly that.
Patty Gay is the director of the city’s Preservation Resource Center, an admirable organisation that fights to defend New Orleans’ historic neighbourhoods. They have published a book that pictorially depicts the soul of the city and it covers a lot more than architecturally significant homes. Patty believes that historic architecture is a fundamental building block of what makes the Big Easy special; if that is maintained successfully then the vibrancy of local, distinct neighbourhoods is far more likely to survive the creeping process of homogenisation that has corrupted many cities in America (and worldwide). “This is what is going to save our city, our culture,” she says. “The architecture of a neighbourhood is a very important part of that – it’s why people want to come back, and why you hear so many people regretting the fact that they can’t come back.”

That is not to say the city has surfaced unscathed from large-scale development. Construction of the interstate highway decimated a bustling black neighbourhood including the legendary Basin Street, the notorious Superdome was plonked slap bang in the middle of a colourful residential area that included a nineteenth century cemetery, and some believe that it was only the city’s bankruptcy in the 1980s that saved it from modernist transformation into a soulless concrete jungle. But the fact is that in many parts of the city, softly painted Creole cottages and shotgun houses remain standing, not as historical monuments but as living, breathing centrepieces of their neighbourhoods.
The most historic of these neighbourhoods were largely spared by the floodwaters, although the PRC still faces a battle with the city authorities to prevent the demolition of some important houses. But the spirit they are fighting to preserve – the sense of community that keeps New Orleans’ heart beating, is also under threat elsewhere. The shuttered-up public housing developments look set to be replaced by ‘mixed-income’ developments accommodating both poorer, working class residents who are subsidised by the state and wealthier residents who can pay the market rate. It’s a bold and contentious move, and its being pioneered here by Pres Kabacoff, an influential local property developer whose River Gardens complex is being used as a model for New Orleans regeneration.
The charge against Kabacoff and his vision is that by levelling the public housing projects, the city is making it impossible for those that lived there and who are now scattered around the country to return. There are dark rumours of developers eyeing up the prime real estate that some of the projects sit on, and the numbers of affordable housing units available in mixed-income developments simply don’t stack up. There is a fear that some of the city’s poorest and most vulnerable residents are being culturally cleansed out of the future Crescent City.
It’s a charge Kabacoff vigorously denies. “What the international community knows of the city (the French Quarter, the business district, etc.) is still intact, it wasn’t damaged by the storm,” he says. “But what we’re missing are the characters that give the city its life, and as a city we need to make sure we bring that culture back. And what’s more we need to recognise that the city’s workforce is of course comprised of poorer residents as well, and we need them back for economic reasons.” So why stop people returning to the projects? “We cannot recreate the ghettos of the past. Previously we segregated poor housing away from wealthy and gated communities but we’re now working with the federal government and the Louisiana Recovery Authority to change the rules of that game.”



The laid-back manner in which Michael tells his story, leaning up against a pillar and gesturing casually with his flamboyant gold-topped cane as he talks, doesn’t reflect the way his mind works. Ambitious, energetic and hard-wired into a million different ideas at once (some more realistic than others), this is a man who expects a lot more of himself than society expects of him. Hanging with beads and resplendent in jewellery and shades, he cuts a fantastically eccentric figure on the sidewalk – and his store is a fantastically eccentric presence within the local business community. Ostensibly a bike rental and repair outfit, it offers a plethora of services and schemes, the details of which are plastered in permanent marker over boards leaning up against the front of the shop. They include free bike rides for anyone who has visited the nearby St Louis Cathedral, special bike rentals for anyone from Texas, and of course the biggest pride of Michael’s endeavours – his fledgling law library.
“I’ve always enjoyed law ‘cos like I said, I was in prison for twenty years, and while I was in prison I studied law,” he explains. “And I thought to myself, you know every time you do business you gotta deal with law. So I opened up a law library.” Like his ‘Jobs for Guns’ programme, which aims to get disaffected and violent youngsters off the streets and into stable employment (starting with mechanical work at the bike shop), the motivation for the law library isn’t profit. In fact, if it ever gets completed, the library will be ‘donated’ for the use of everybody in the French Quarter.
The problem is that it doesn’t look like the library will ever be completed. That’s because tomorrow Michael will go to court, representing himself, to try and fight an eviction order that his landlord has brought against him. Katrina’s floodwaters didn’t reach the French Quarter but they managed to gut Michael’s store nonetheless. Devastation in other parts of the city caused a shortage of available residential and commercial property, sending rents everywhere soaring. And that means Michael’s corner store – or rather the building in which it sits – is worth a lot more today than it was a year ago.
“What’s going on here is that he wants me out the building so he can give the building to someone else at a higher price.” ‘He’, according to Michael, is the French Quarter’s biggest landowner and a month ago he announced he was ejecting Michael for alleged non-payment of rent, a charge that Michael denies and says he will prove wrong in front of a judge. “When I first rented this place it was dead round here, but now it’s coming back. So what he wants me to do is get out so he can push the rent right up.” The rent currently stands at around $2800 a month, but Michael – who has a valid lease for the property until 2008 – believes that the landowner wants to charge new occupants over $4000.
Michael suggested the landowner could buy out the remainder of the lease if he really wanted the property back, but the offer was turned down. “He’s trying to kill my whole project, my law library, everything. And he lives next door! He passes here every day. He just wants me to move out and lose everything, period. That’s morally wrong.”
With the number of different services he offers, Michael considers his business to be a company, rather than a store. That would make him the only black company-owner in the historic French Quarter, an observation he thinks is significant. “I’m the only one going through this,” he says, staring down the street. “I ain’t going to say there’s a racist thing going on, but I’m the only one this is happening to.” To try and raise awareness of what’s happening, Michael has been taking his bike and loading it up with photos and posters of the store, parking his one-man protest outside posh hotels in the Central Business District. “I produce programs like jobs for guns, I feed the homeless, I donate a law library to the French quarter,” he says angrily. “Those are the kinda things I do, and this is the richest man in the Quarter and he don’t do nothing. He don’t understand emotions or people, he only knows numbers. And when numbers don’t look right… that’s who I’m dealing with.”

Despite his insistence that he is being singled out for unfair treatment, Michael thinks that the attack on his livelihood is part of a wider, creeping process of gentrification in the city. “They’re commercialising here – that’s why they’re not putting up those neighbourhoods,” he says, referring to the shuttered-up public housing projects where residents are being refused entry into their own homes. He tried to raise the issue with Ray Nagin when the Mayor did a ‘walkabout’ down Decatur Street. “He walked right by me, anyone’ll tell you. I’m the only person on the whole strip here that had a Nagin poster up for the election – everyone else had Mitch Landrieu [Nagin’s white opponent in the mayoral contest] – and I said to him as he walked past, ‘Sir, I’m the only one here who supported you’, but he kept on walking,” Michael grimaces. “Then he got on TV and started talking about how he was gonna help people like me. But he walked right past.”
Michael’s personal story is hard to verify – more will become obvious after the court case tomorrow. But the trends he describes are very real. With rebuilding dominated by big developers, large reconstruction projects and higher rents are serving to squeeze out smaller, independent businesses for whom the costs and risks associated with returning are harder to bear. Whatever happens, Michael isn’t going quietly. One of his posters requests that passers-by invest $50,000 in Foot-Steppers, promising that it will become a multi-million dollar company within five years. Considering what he has accomplished so far, he might just be right…







